I was found myself in New York City for the Christmas holiday. I wandered over to the Met to see the Michelangelo exhibit, but it was so crowded I couldn’t get close to any of the work. Disappointed, I meandered through the museum and stumbled upon this photography exhibit by Adolf de Meyer.
de Meyer was a Baron and kept company with the privileged European elite. He photographed the wealthy and enjoyed travel to exotic locations. Ever the dandy, he documented the fashion of the times for magazines and ballet productions.
de Meyer was an explorer of color photography in its infancy, 1907. There are two color images in this exhibit, which are included in the highlights I have here for you to view. Unfortunately, the glass had a lot of glare on it, so all the images I photographed have light spots and reflections of the walls or people passing through the galleries.
He also photographed nature and any landscapes that caught his eye.
Here is an excerpt from the Met website explaining the show:
A member of the “international set” in fin-de-siècle Europe, Baron Adolf de Meyer (1868–1946) was also a pioneering photographer, known for creating works that transformed reality into a beautiful fantasy. Quicksilver Brilliance is the first museum exhibition devoted to the artist in more than 20 years and the first ever at The Met. Some 40 works, drawn entirely from The Met collection, demonstrate the impressive breadth of his career.
The exhibition includes dazzling portraits of well-known figures of his time: the American socialite Rita de Acosta Lydig; art patron and designer Count Étienne de Beaumont; aristocrat and society hostess Lady Ottoline Morrell; and celebrated entertainer Josephine Baker, among others. A highlight of the presentation is an exceptional book—one of only seven known copies—documenting Nijinsky’s scandalous 1912 ballet L’Après-midi d’un faune. This rare album represents de Meyer’s great success in capturing the movement and choreography of dance, a breakthrough in the history of photography. Also on view are the artist’s early snapshots made in Japan, experiments with color processes, and inventive fashion photographs.
This exhibit runs through March 18, 2018 at the 5th Ave Met.