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Adolf de Meyer Photographs at the Met

Adolf de Meyer Photographs at the Met


I was found myself in New York City for the Christmas holiday. I wandered over to the Met to see the Michelangelo exhibit, but it was so crowded I couldn’t get close to any of the work. Disappointed, I meandered through the museum and stumbled upon this photography exhibit by Adolf de Meyer.

de Meyer was a Baron and kept company with the privileged European elite. He photographed the wealthy and enjoyed travel to exotic locations. Ever the dandy, he documented the fashion of the times for magazines and ballet productions.







de Meyer was an explorer of color photography in its infancy, 1907. There are two color images in this exhibit, which are included in the highlights I have here for you to view. Unfortunately, the glass had a lot of glare on it, so all the images I photographed have light spots and reflections of the walls or people passing through the galleries.





He also photographed nature and any landscapes that caught his eye.







Here is an excerpt from the Met website explaining the show:

A member of the “international set” in fin-de-siècle Europe, Baron Adolf de Meyer (1868–1946) was also a pioneering photographer, known for creating works that transformed reality into a beautiful fantasy. Quicksilver Brilliance is the first museum exhibition devoted to the artist in more than 20 years and the first ever at The Met. Some 40 works, drawn entirely from The Met collection, demonstrate the impressive breadth of his career.

The exhibition includes dazzling portraits of well-known figures of his time: the American socialite Rita de Acosta Lydig; art patron and designer Count Étienne de Beaumont; aristocrat and society hostess Lady Ottoline Morrell; and celebrated entertainer Josephine Baker, among others. A highlight of the presentation is an exceptional book—one of only seven known copies—documenting Nijinsky’s scandalous 1912 ballet L’Après-midi d’un faune. This rare album represents de Meyer’s great success in capturing the movement and choreography of dance, a breakthrough in the history of photography. Also on view are the artist’s early snapshots made in Japan, experiments with color processes, and inventive fashion photographs.

This exhibit runs through March 18, 2018 at the 5th Ave Met.






Photographs And Paintings Used To Launder Money

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The New York Times reports detailed information about how art work is used for laundering money. It’s not just drug cartels. Greedy CEO’s are able to hide their millions through the vague business practices of the art world.

This activity has always been whispered about in art circles, but seems to be more prominent now. The art market has never been subject to the accountability of financial transactions as in other businesses. Auction houses and top galleries claim anonymity is necessary with transactions in the millions. Why? I can imagine clients want to keep their purchases quiet for security reasons, but anyone who can afford a Matisse can afford to keep their collections safe.

Read the NY Times article for the dirty truth.

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