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Adolf de Meyer Photographs at the Met

Adolf de Meyer Photographs at the Met

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I was found myself in New York City for the Christmas holiday. I wandered over to the Met to see the Michelangelo exhibit, but it was so crowded I couldn’t get close to any of the work. Disappointed, I meandered through the museum and stumbled upon this photography exhibit by Adolf de Meyer.

de Meyer was a Baron and kept company with the privileged European elite. He photographed the wealthy and enjoyed travel to exotic locations. Ever the dandy, he documented the fashion of the times for magazines and ballet productions.

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de Meyer was an explorer of color photography in its infancy, 1907. There are two color images in this exhibit, which are included in the highlights I have here for you to view. Unfortunately, the glass had a lot of glare on it, so all the images I photographed have light spots and reflections of the walls or people passing through the galleries.

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He also photographed nature and any landscapes that caught his eye.

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Here is an excerpt from the Met website explaining the show:

A member of the “international set” in fin-de-siècle Europe, Baron Adolf de Meyer (1868–1946) was also a pioneering photographer, known for creating works that transformed reality into a beautiful fantasy. Quicksilver Brilliance is the first museum exhibition devoted to the artist in more than 20 years and the first ever at The Met. Some 40 works, drawn entirely from The Met collection, demonstrate the impressive breadth of his career.

The exhibition includes dazzling portraits of well-known figures of his time: the American socialite Rita de Acosta Lydig; art patron and designer Count Étienne de Beaumont; aristocrat and society hostess Lady Ottoline Morrell; and celebrated entertainer Josephine Baker, among others. A highlight of the presentation is an exceptional book—one of only seven known copies—documenting Nijinsky’s scandalous 1912 ballet L’Après-midi d’un faune. This rare album represents de Meyer’s great success in capturing the movement and choreography of dance, a breakthrough in the history of photography. Also on view are the artist’s early snapshots made in Japan, experiments with color processes, and inventive fashion photographs.

This exhibit runs through March 18, 2018 at the 5th Ave Met.

 

 

 

 

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Internship Opportunity at North Carolina Museum Of Art

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Hey students, some of you may have seen the blog I recently posted about the North Carolina Museum of Art. I visited over the Memorial Day Weekend and was so pleased I had to share my impressions with you. I just found out that the museum is accepting applications for internships. They are not paid, but this is such a great museum, I think anyone who is looking for an internship will really enjoy the experience. Click here to link to the info page. Deadline is June 15, 2012. Good luck.

East Wing of the North Carolina Museum of Art

A Visit To The North Carolina Museum of Art – Presence/Absence Exhibit

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The east building of NCMA which houses contemporary art and special exhibitions

I spent the long Memorial Day weekend in North Carolina. It was hot and humid. Plans for hiking to search out subjects to photograph for my macro photography workshops dripped off with my makeup. On the positive side, the weather drove me to explore indoor events like visiting the North Carolina Museum of Art in Raleigh.

Have you ever had a perfect day? Well, I had one at NCMA. A month ago, I was told by a Los Angeles curator to look up Todd Hido’s work because of similar sensibilities in our photography. Coincidentally, Hido’s photos were on display in a photo exhibit titled Presence/Absence. The 23 photos by various photographers imply the presence of people, even though none are visible. We can read the absence of people as a sort of loneliness and the results humanity has on history – whether it be personal or universal.

My favorite image is by Rob Amberg. Titled A Field Of Cut Burley Tobacco, pictured above, (Gelatin-Silver print, 1993, printed in 2002). This image is loaded with metaphor about the effects of man’s history in the United States. Amberg uses a long depth of field to tell the story of tobacco harvesting in North Carolina. But this image takes us farther back into the history of the US.

The photo depicts hundreds of stacked tobacco leaves, making strong shapes of Indian teepees (tipi) from the foreground to deep perspective in the mid-ground. The teepee shapes remind us that the land was once harvested by American Indians and their presence has been replaced by European settlers. The background shows a modern house with two trucks against a backdrop of empty hills. Another reminder of the progress of civilization; the contemporary home replaces the teepee as a human dwelling space. The separation of past and present is driven home by a streak of ambient light that slices the photo in half just at the edge of the last tobacco plants and the beginning of the farm.

Corridor, Ellis Island, Oct 1988 by David Simonton

Another compelling image is by David Simonton. Corridor, Ellis Island, Oct 1988, (Gelatin-Silver print, printed in 2004). An abandon hallway dares us to enter the worn and disheveled space. The plants and trees have broken through the windows reclaiming what was once their domain.

Jumping Tree, Haw River by Jeff Whetstone

Presence/Absence included images that were somewhat whimsical. A child’s type of fun is implied by Jeff Whetstone’s Jumping Tree, Haw River.  Strips of wood are nailed to a tree forming a step-ladder to climb and jump into the river.

Kenosha, Wisconsin – Spilled Milk by Brian Ulrich

Other images portray the manufactured spaces and the accidents humans leave behind. Brian Ulrich’s Kenosha, Wisconsin – Spilled Milk shows an impersonal big box supermarket with its harsh fluorescent lighting warning you not to slip on the puddle of spilled milk on the fake wood floor.

Once I absorbed this well thought out exhibit, I walked over to the West Building to see permanent collection. Motherwells, Klines, Frankenthalers, and more of the big names of modern art welcomed me into the many galleries. The antiquities collection, Renaissance, and Flemish paintings were impressive as well. After 3 hours, my feet were tired so I limped over to Iris, NCMA’s beautifully designed restaurant. Let me say this – even if I hated the art on exhibit, I would still go back to have dinner at Iris. The wine and food were excellent, and the free live jazz added the final touch to a perfect day.

One last piece of information. Entrance to NCMA is free. Parking is free. They have free live music on Friday nights. You can’t get a better bargain for a day full of wonderful art, music, and food. Check out the calendar for more info on films, concerts, and dance.

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